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Jones and Henson agreed to disagree, and went their separate ways. George Lucas, creator of Star Wars and Indiana Jones, was co-producing Labyrinth, and weighed in with his own contributions to the script. These were incorporated into one of several rewrites, which tilted the plot closer to Henson’s initial vision. Working from this initial idea, Froud and Henson handed off the task of putting flesh and bones on the script to Dennis Lee, the poet and children’s author. But after Lee had submitted his draft, Henson felt more work was needed. So he reached out to Terry Jones of Monty Python fame. Coincidentally, Jones had been trying to get hold of Henson, with a view to collaborating on a big screen version of his children’s tale, Erik the Viking. How can we make these look like real creatures? It’s a struggle because it’s a technological exercise more than anything else. Jim’s ability to combine old puppet techniques with state-of-the-art [ones] was his genius. He really understood how to [do] make-believe and then make it real.” They brought me the concept,” said Bowie. “[Henson] showed me The Dark Crystal,which I found a fascinating piece of work. And I could see the potentiality of making that kind of movie, with humans, songs, more of a lighter comedy.”

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He was rusty in the beginning, sure, he’d miss some notes,” says the show’s musical director, Michael Bearden. “But he would always say, ‘That’s why we rehearse.’ And the last two or three rehearsals, he was ready to do that show. He knew it, he had that glow, that swagger about him. MJ is the master closer. He’s got amazing muscle memory. When he gets in front of his fans up on that stage, it’s just magic.” Such were the challenges that had attracted everyone to the project. “The reality of the art and science of puppets, and trying to create realistic rather than abstract puppets, was really what Jim and I had been working on from the very beginning,” said George Lucas at the time. I was adapting my book, Erik the Viking, into a film, and I thought I’d ring Jim Henson’s office to see if they’d like to do the monsters,” Jones told Empire magazine.New! Bad Trousers- (Pro Series) this is the closest to the originals available anywhere.. you will not get quality like this anywhere else, Insist on the best! At its heart, Froud and Henson believed, Labyrinth is a movie about a girl growing up. In a way, Connelly’s character Sarah is a mirror image of Jareth: both are immature, temperamental and peevish. Jareth, after all, only takes baby Toby because Sarah, in a strop, wishes he was gone.

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On a hot summer night in 1985, in a studio at Atlantic Records in Manhattan, David Bowie was trying to make a baby gurgle. Moreover, it’s implied that all of the characters we meet in the Labyrinth come from Sarah’s imagination. We see stuffed-toy versions of them in the childhood bedroom that she’s starting to outgrow. In the masked ball scene in which she dances with the Goblin King, Labyrinth is explicit about her being an adolescent thrust into an adult world she doesn’t comprehend.The devastating pot shot when it came, however, was directed not at Tony Blair but at poor Michael Hutchence of INXS. He was looking characteristically dapper as he strode out to present Oasis with yet another award, this time for Best Video. Then Noel Gallagher grabbed the mic and said “Has-beens shouldn’t be presenting awards to gonna-bes”. I had an instant vision of a baby surrounded by goblins, which I thought would look really striking,” recalled Brian Froud, the fantasy artist with whom Henson cooked up the concept. (Froud’s 18-month-old son, Toby, played the infant that Jareth kidnaps and flings playfully into the air during Magic Dance.) Zaldy also created studded loafers for the outfit. Knowing how much Michael loved the familiar feel of his usual Florsheim loafers, Zaldy, and his team went to great lengths to ensure that the studded loafers wouldn't feel any different from his usual loafers. At one point, they ended up cutting one of the shoes open so they could make sure that it would fit Michael's foot perfectly. Bowie, as ever, was hipper to this than anyone else, which is why he slipped in a reference to The Bachelor and the Bobby-Soxer. And perhaps that’s why Labyrinth has lived on: it’s a rare Hollywood movie that takes seriously the experience of being a young woman finding her way in the world. For Bowie, Labyrinth was an opportunity to indulge his theatrical side – the ripple of panto that ran through so much of his work. He’d always wanted to make a record for kids. Now he finally had a chance. But for Henson the movie was a shot at redemption.

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You remind me of the man,” Grant (42) tells Temple (18) in one scene. “What man?” she asks. “The man with the power,” he replies, adding: “The power of hoodoo.” “Hoodoo…?” “You do!”Jim said he wanted it to be more a young girl’s coming-of-age story,” Jones remembered to Empire, “and he wanted to show the centre of the labyrinth sooner, because he wanted to play around a lot there. I really thought we shouldn’t see the centre of the labyrinth before the girl does, otherwise what’s the hook for the audience? Costumes for the Show [ ] Zaldy Opening Songs Outfit (Wanna Be Startin Somethin', Jam, Drill/They Don't Care About Us, and Human Nature/Stranger In Moscow) [ ] The problem was that, after all the cobbling together, the story had lost any sense of fun. Henson remembered only too well that The Dark Crystal had been strung up by critics for being too serious. So he called Terry Jones again and wondered if he might be interested in a further rewrite. Maybe he could bung in some of the jokes that had been subsequently expunged. He’d even give the Monty Python man sole screenwriting credits.