Domino, Matt (May 20, 2019). "The nightmarish works of H.R. Giger, the artist behind "Alien" ". CNN . Retrieved 2020-07-30. Joshi, S. T.; David E. Schultz (2001). An H. P. Lovecraft Encyclopedia. Westport, CT: Greenwood Press. ISBN 0-313-31578-7. Giger was born in 1940 in Chur, the capital city of Graubünden, the largest and easternmost Swiss canton. His father, a pharmacist, viewed art as a "breadless profession" and strongly encouraged him to enter pharmacy. He moved to Zürich in 1962, where he studied architecture and industrial design at the School of Applied Arts until 1970. [2] Career [ edit ] Birth Machine sculpture in Gruyères Stuart, Keith (13 May 2014). "HR Giger: artist whose biomechanical art had vast influence on game design". The Guardian. Archived from the original on 17 May 2014 . Retrieved 18 May 2014. The xenomorph is an extraterrestrial from the most desolate parts of space. Hans Ruedi Giger is most recognized for influencing the aesthetic direction of Alien. Even so many years after his passing, his singular outlook continues to influence.

14 Surreal Facts About H.R. Giger | Mental Floss 14 Surreal Facts About H.R. Giger | Mental Floss

Giger’s most notable artistic breakthrough was his depiction of human bodies and machinery in chilly, linked interactions, which he termed “biomechanical.” Ernst Fuchs, Dado, and Salvador Dalí were his primary influences. Movie Projects with H.R.Giger". Littlegiger.com. 31 August 1997. Archived from the original on 3 January 2015 . Retrieved 2 August 2014. Other copies, Lovecraft wrote, were kept by private individuals. Joseph Curwen, as noted, had a copy in The Case of Charles Dexter Ward (1941). A version is held in Kingsport in " The Festival" ( 1925). The provenance of the copy read by the narrator of " The Nameless City" is unknown; a version is read by the protagonist in " The Hound" ( 1924). His art book, H.R. Giger's Necronomicon has what is probably his most famous work of art, because it clearly was the inspiration for the alien in the film Alien. a b Thill, Scott (2010-02-05). "Feb. 5, 1940: It's Surreal Thing — H.R. Giger Born". Wired. Condé Nast . Retrieved 2020-07-30.

The book was originally published by Sphinx Verlag and was republished in 1991 by Morpheus International with additional artwork from Giger's Alien designs. [3] A subsequent collection of his images followed as H. R. Giger's Necronomicon 2, printed in 1985 by Edition C of Switzerland. [4] Hans Ruedi Giger was a Swiss illustrator well known for his airbrushed representations of human bodies combined with technology, so-called the biomechanical style. His Gigeresque artwork was utilized in the special effects for Alien, which won an Academy Award for visual design. The film’s artwork was inspired by HR Giger’s masterpiece Necronomicon IV (1976). In 2004, Necronomicon: The Wanderings of Alhazred, by Canadian occultist Donald Tyson, was published by Llewellyn Worldwide. The Tyson Necronomicon is generally thought [ who?] to be closer to Lovecraft's vision than other published versions. [ citation needed] Donald Tyson has clearly stated that the Necronomicon is fictional, but that has not prevented his book from being the center of some controversy. [26] Tyson has since published Alhazred, a novelization of the life of the Necronomicon 's author. Zweifel, Philippe (13 May 2014). "Der "Alien"-Vater ist tot". Tages-Anzeiger. Archived from the original on 12 June 2018 . Retrieved 12 June 2018. Ridley Scott was so taken with the original picture that he commissioned H. R. Giger to create a whole “natural history”, which culminated in the film’s final monster.

Necronom IV, 1976, 150×100 cm by Hans Rudolph Giger: History Necronom IV, 1976, 150×100 cm by Hans Rudolph Giger: History

Judge, Kieran (March 11, 2019). "Designing Nightmares: H.R. Giger and 'Alien' " . Retrieved 2020-07-30. However, as suggested by Lovecraft scholar S.T. Joshi—who knows Greek perhaps better than Lovecraft, when this word is seen as an analogy with Manilius’ Astronomicon, a book which was known to HPL, it actually would mean “Concerning the Dead.” In 1977, Giger released a book of his illustrations which was called The Necronomicon. It made his fans look for parallels between his paintings and Lovecraft’s Cthulhu worlds for many years. In fact, Giger just liked the name. This book called for the first wave of popularity for Hans Rudy, which even reached Hollywood. At the time, director Ridley Scott was working on the concept for Alien and couldn’t find an artist who could provide him with a suitable sketch depicting a bloodthirsty alien. At some point, the film operator showed Scott Giger’s Necronomicon, and when he saw the Necronom IV, he realized that his search was over.Sprague de Camp, L. (1976). Literary Swordsmen and Sorcerers. Sauk City, Wisconsin: Arkham House. pp.100–01. ISBN 0-87054-076-9. Giger's first success was when H. H. Kunz, co-owner of Switzerland's first poster publishing company, printed and distributed Giger's first posters, beginning in 1969. [3]