BOSS Dm-2W Delay Guitar Pedal, Maroon

Product Information

Learn the differences between analog and digital delay guitar pedals and how to best utilize them in your setup. Read more… The Delay Pedal Glossary Specifically, Custom mode nearly triples the available delay time to 800 milliseconds. That’s getting close to digital delay territory! In addition, the delay repeats are somewhat clearer than Standard mode, though the tonal quality still remains firmly in gritty analog BBD-land. Custom mode brings a lot more to the party, giving you increased range for rhythmic delays and dramatic echo effects.

Version 2 is identical regarding the appearance of the device. The difference lies one more time in the inside.

3. Two selectable modes give you old-school tone with modern range.

Phaser is a naturally versatile modulation effect. From overdrive to reverb, it can enhance, expand, and excite a guitar tone. Read more… Pedal Partners: Combining Chorus with Other Effects Nowadays, players are saying that the prices in the second-hand market are starting to rise for the DM-3. Perhaps, once the DM-2 becomes really hard to get, the DM-3 will gain some popularity. Let’s see. DM-2 VS. DM-2W Nothing in this EULA affects Your statutory rights if the laws of your state or country do not permit it to do so.

Chorus adds an extra dimension when paired with other pedals. Here are some dynamic suggestions for combining it with different effects. Read more… Pedal Partners: Combining Reverb with Other Effects If you’re playing as you adjust the time, a “warping” sound is produced, where the pitch of the delay repeats is continually shifted as it moves to its new setting. (This can also be accomplished by tweaking the Repeat Rate knob by hand, but it’s hard to play at the same time.) Used by lots of creative players over the years, this interesting expressive effect was first discovered by manipulating the time controls on early tape delays. On the DM-2W, it’s really effective with the Custom setting, thanks to the increased delay time that’s available. And after you’ve had some time-warping fun with the pedal, you might try reaching down and cranking up the Intensity knob for some way-cool self-oscillation effects as well. So, with these two modes, the DM-2W is really far more versatile than the original DM-2. But it doesn’t stop there… 4. YOU CAN CREATE INTENSE REAL-TIME SOUND EFFECTS WITH AN EXPRESSION PEDAL During the mid-’80s digital technology was the trending topic, and BOSS already had the DD-2 on the shelves. I think the main idea was to still provide an affordable option for players who wanted to have a delay unit and so, they came up with the DM-3.While discussing differences here, I should note that digital delay is in no way inferior to analog delay—far from it! As you probably know, BOSS makes digital delays too, and our new DD-500 is capable of creating a huge range of amazing delays sounds (including a spot-on emulation of the DM-2), many of which are simply not possible with analog tech. But while more limited in its scope, analog delay has a really unique character that’s simply different from the standard digital delay sound, and each type shines in specific applications. As you can already guess, the BD-2W is fully analog. That being said, the BBD chip being used is not an MN3005.

If you are a pedalboard junkie, you will notice that this delay is not very common. This poses the question, is there a good reason for that? The DM-2W also includes another feature not on the original DM-2, which is the ability to connect an expression pedal and adjust the delay time with your foot. (Delay time is normally controlled manually with the Repeat Rate knob.) Beyond the obvious hands-free delay time adjustment for specific songs, this also lets you create some very cool real-time effects. The coolest thing about the DM-2W’s lo-fi delay tone is how well it complements and supports your straight guitar sound. Like so many classic music tools, it produces that magical “glue” that takes an already great tone and makes it even better. While the enhanced definition of digital delays can sometimes create bouncy echo artifacts that get in the way, the analog DM-2W always supports your tone with highly musical sounds, even at extreme settings. In its way, the “murky” BBD sound straddles the line between delay and reverb, and is often preferred by many top players over a straight reverb effect (though they work really well together too—the DM-2W sounds especially luscious when paired with the new RV-6 Reverb). I applaud the idea and intentions behind recreating this pedal, not only by offering a simple re-issue of it but also by adding some new features and capabilities. This is remarkable because, in my opinion, it worked: the DM-2W has the looks and the feelings of the old units, and the new features don’t mess with that.

Still In The Shadows

The BOSS DM-1 was the very first analog delay pedal produced by BOSS. It was first introduced to the public in 1977 and went out the market at the beginning of the ’80s. The idea was to give players an alternative to their already successful tape delay, the Roland Space Echo RE-201. Even though the DM-1 didn’t have many of the features of the RE-201, it had two main advantages over his mechanical counterpart: it was more affordable and also, it was portable. Image 1: Front view of the BOSS Dm-1. Some More Specs The terms of this Section are agreed allocations of risk constituting part of the consideration for Roland’s licensing of Software to You and will apply even if there is a failure of the essential purpose of any limited remedy, and regardless of whether a party has been advised of the possibility of the liabilities. If applicable law prohibits any portion of the limits on liability stated below, the parties agree that such limitation will be automatically modified, but only to the extent required to make the limitation compliant with applicable law.