Grace Jones: Bloodlight and Bami [DVD]

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Read more about the condition New: An item that is still in its original shrink wrap from the manufacturer and the original manufacturer’s seal (if applicable) has not been removed.

No waiver of any of the provisions of this or any Agreement shall be effective unless it is expressly stated to be such and signed by both Parties. A mix of concert doc and intimate verité, Fiennes has crafted a film that feels like Stop Making Sense via Frederick Wiseman. The stage is where her most extreme embodiments are realised and her theatrical imagination lets loose: this is where the musical of her life is played out. In June 1971 The New York Times, the Washington Post and the nation’s major newspapers took a brave stand for freedom of speech and reported on the Pentagon Papers, the massive cover-up of government secrets that spanned four decades and four US Presidents. This Company does not however exclude liability for death or personal injury caused by its negligence.The quality is as new superb not a flaw and my communication with the vendor I found to be polite , helpful , gave good advice and utmost friendly with excellent service skills . To wit; concert footage is awesome, with a wide dynamic range perfectly suited to Jones' over/under musical ethos. After working with the Three Degrees, MFSB and Trammps, he was hot property, and Jones seemed a natural choice for him to work with. Products labelled '*item fulfilled by Exertis on behalf of hmv' will be supplied to you directly by Exertis via their approved couriers.

Footage from hotel rooms, studios (Sly and Robbie included) and the Jamaican countryside are less-than-archival, but not by too much, as images still enjoy rich coloring, natural skin tones, and warm light. This Company will not accept any responsibility for any loss or damage in whatever manner, howsoever caused, resulting from your disclosure to third parties of personal information. She's not afraid of her life, visiting shacks of old family friends, standing naked in the shower, yelling at subordinates when she finds her hotel hasn't been comped.First off is a Commentary Track with Jones, director Sophie Fiennes, and Judith Casselberry, moderated by Associate Professor of Africana Studies from Bowdoin College. It's a look back to another time, one that seems much further removed than the constantly evolving modernism of her Compass Point trilogy. No standard music documentary this, Bloodlight is an impromptu, unexpected, secret window into Jones' life, enveloped in concert footage specific to this film. As an intimate look at Jones the film succeeds, as a powerful testament to her talent the film soars.